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Piano Tuner Plays Important Role in “Five Guys Named Moe.”

It takes more than actors, musicians and dancers to put on a great theatrical musical performance. There are also a number of technicians handling audio, lights and more.

I was delighted to see, that when crediting all of those who contributed to the production of “Five Guys Named Moe” at the Court Theatre in Hyde Park, the producers included the production’s piano tuner Kent Busse in the program.

I am sure the appreciation extends to the outstanding six piece jazz band that accompanied the “Moes.” J.P Floyd (trombone), Sam Hankins (trumpet), Jarrard Harris (reeds), Ben Johnson (drums), Chuck Webb (bass), led by Abdul Hamid Royal (music director/pianist).

When you sit down to play it’s nice to have the confidence of knowing that your instrument is in tune. In a combo of this size the musicians usually tune-up to the piano, so it all starts there.

It is a similar experience for the singers. They have a certain pitch in mind that they expect to hear as the first note is sung.  Singing in tune starts with an in-tune piano. In this production the Five Moes sing five part harmony. Typically each singer’s harmonic interval is derived from the first note. If that note is “off” everyone is off.

The harmonies of this doo-wop quintet comprised of Big Moe (Lorenzo Rush, Jr.), Little Moe (Darrin Ford), Eat Moe (James Earl Jones II), Four Eyed-Moe (Kelvin Rosten, Jr.) and No Moe (Eric A. Lewis) are spot on.

I think I’ll make Kent Busse the sixth Moe, “Hear Moe,” because what he hears will determine what the audience will hear.

3 pianos at Lakes Shore Music Studio

Kent has been the “official” piano tuner for The Lake Shore Music Studio for several years and recently tuned our piano at home. That is why I was particularly pleased to see him get some of the recognition he deserves and also give him a bit of recognition here as well.

According to Julie, Kent does a great job of keeping the LSMS pianos in shape as well as in tune. As you can imagine they get quite a workout from 50+ students per week aged 4 through 74+.

You can enjoy the fruits of Mr. Busse’s work by playing one of the many LSMS acoustic pianos or coming in to hear your kids play during their lesson.

Additionally you might check out “Five Guys Named Moe” which is a tribute to band leader and saxophonist Louis Jordan, one of the fathers of rock & roll, who popularized several blues/jazz standards like Caldonia and Choo Choo Ch’boogie.

Listen for the boogie piano accompaniment in the beginning of this video.

To read my entire review of “Five Guys Named Moe”.

Guest Blogger : Reno Lovison is Julie’s husband and reviewer for Chicago Theater and Arts.

World Premiere of Suite for Heroes – J. Golembiowski

Jaroslaw Golembiowski and Julie Lovison

Julie Lovison with friend and piano colleague Jaroslaw Golembiowski on the occasion of the premier performance of his composition “Suite for Heroes” honoring the 200th Anniversary of the Death of Thadeusz Kosciuszko. Performed by the Lincolnwood Chamber Orchestra with David Maller on trumpet at the Copernicus Center in Chicago September 2, 2017. The piece was commissioned by Drs. Barbara and Waldemar Niklinski.

Reflections on MTNA Music Conference 2017 Baltimore

by Julie Lovison
An action packed three day conference included two special concerts.
Igudesman and Joo  are two young musical friends who have chosen to make a career out of poking fun at classical music while delivering thoughtful, real musical performances interspersed with the humor.   Here is an example of their mashing up classical music with a “Russian accented version of I Will Survive”
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Master Class and Concert by Leon Fleischer

Leon Fleischer is 88 years old and going strong as performer, conductor, master class teacher, and collaborator.  In 1964, Leon developed focal dystonia, a curling in of fingers, which put an end to his concert piano career.  Instead of giving up music, he transitioned into conducting, and returned to performing left handed literature only.   After 40 years, through physical therapy and the use of Botox on his arm, he was able to regain much, but not all, of his right hand use.
His exquisite concert  included the beautiful solos performances of  Sleep May Safely Graze, Claire de Lune, Chopin Mazurka and Nocturne in D Flat, and duets with his wife, Katherine Jacobson-Fleischer.   Leon  also takes time to perform collaboratively with his son, a jazz singer in New York.
                .
These two examples show that there are many avenues to making music beyond the traditional concept of solo artist, indeed a creative and musically open mind can experience many new and fulfilling areas of music making.
Here you can see how Mr. Fleischer despite the handicap of  curled fifth finger, creates the sublime and intimate rendition of Bach’s Sheep May Safely Graze.
As usual Reno and I were on hand in the exhibit hall to represent Lee Roberts Music Publications and speak about the Robert Pace Approach.

Visit with Sir James Galway at MTNA Las Vegas 2015

One of the fun aspects of attending a national conference is the opportunity to spend a few minutes with the musical celebrities who are participating. We enjoyed a wonderful concert by renowned flutist Sir James Galway who incidentally was exhibiting his new “First Flute” instruction video series in the booth next to Lee Roberts Music Publications where I was assisting teachers to better understand the benefits of the Robert Pace Piano Approach.

Sir James Galway with Julie Lovison, Director of The Lake Shore Music Studio.

Sir James Galway with Julie Lovison, Director of The Lake Shore Music Studio.

It seemed appropriate to have Sir James autograph a copy of “Shepherd’s Flute” composed for piano by Earl Ricker from the Robert Pace Piano Recital Series.  Since it is written in a minor key popular in Jewish tunes he quipped, “This is a Jewish Shepherd” and went on to share the fact that “Jewish shepherds lead their flock” while shepherds from other cultures drive their flock from behind.

At his master class Sir James made a point of stressing the importance of practicing his scales which he still does devotedly every day. I guess that proves no matter how accomplished you are you need to pay attention to the fundamentals.

Two on Tour Duet Book | Robert Pace SeriesWe observed how personable he was with each visitor taking time time to have a short chat while simultaneously playing chess via his cell phone with a friend online between visitors.

Sir James was also kind enough to autograph a page from the “Two On Tour” duet book volume 2 which was the promotional handout in the Lee Roberts’ booth. The piece is called “Parade for the Irish”.

 

Video

Julie Lovison, Director of The Lake Shore Music Studio in Chicago speaks with piano teachers about the Robert Pace Approach to Piano Instruction at the Music Teachers National Conference MTNA  2015 conference held at The Rio in Las Vegas.