Category Archives: Teaching Tips

Sharing Holiday Music

Students enjoy singing and playing holiday songs together in their lesson.



For many years, we have eagerly anticipated attending our good friends’ annual Christmas party. It was a much appreciated opportunity to catch up with friends from years past. The dazzling tree, ablaze with over 1,000 lights and more than 600 traditional glass ornaments was always a spectacle. A highlight of the evening was to see who could find the special ornament using only a few scant clues.

Midway into the evening, after everyone had their fill of goodies from the buffet table, and settled in with a relaxing beverage, we would launch into a sing along, accompanied by me on the piano. This is a tradition that adds a good deal of emotional connection and merriment to the festive holiday evening.

Last fall, Reno and I had some people over to our house to sing songs from musicals, a genre of music we and a few of our friends particularly share a passion for.

Occasionally, a teenage or pre-teen student will tell me about a party they attended where they spontaneously sat down and began to play the piano or instigated a sing along of favorite pop songs.

In the studio, we send the message to students that they can use their musical gifts to add to the fun of a party by encouraging a sing along and contributing live music. I let them know that the holiday season is a perfect time to try this, as the songs are so familiar to so many, and they will have participants of all ages willing to join the fun.

Here are some things we teach students to allow them to be ready to jump in and accompany no matter what their level of skill or readiness is. (It’s not a recital, it’s an opportunity to have fun!)

Keep going! In a familiar song, the singers will continue to sing if you get lost, and you can jump back in when you find your place or a familiar passage again.

For a traditional introduction that sets up both the key and tempo, play the last phrase of the song first. Then give a head nod to indicate when to begin singing.

Practice singing along to see if you really know the song well enough all the way through at the tempo you start at.

A song can be transposed by the pianist to find a comfortable key to sing in or play with other instruments which might need a particular key.

If you haven’t mastered two hands together, play one hand and invite a friend to play the other part with you. Even if you stumble along, it will be fun to try.

If the song has chords written above the notes, just play the right hand melody and the chord with your left hand. Or just play the chord and let the singers carry the tune if it is very familiar.

Play by ear (if you can) and fill in the left hand chords according to the formula we learn for which chords to use.

Finally, confidence comes from experience. Jump in and don’t worry about being perfect.

When our students start this activity at a young age, they are old “hands” at it by the time they are teenagers and adults. As their playing skills have reached more advanced
stages their confidence and poise for playing with or for a crowd has grown up with them and doesn’t have to play catch up.


A Conceptual Christmas – Teaching Broad Music Concepts through Familiar Holiday Literature

Holiday Songs represent an evolving musical culture that spans 6 centuries and are the one body of songs that are more universal to our culture than anything else. Even though the harmonic treatments become more removed from the original with each passing year, there is still enough recognition of these songs even if they are now used to sell merchandise instead of their sacred original meaning.
The reinforcement students receive from family and friends by playing something “familiar”, as well as the short time span and goal of performance opportunities make students highly motivated to work on these songs.

However, in addition to the benefits to students mentioned above, these songs offer a treasure trove of opportunities to for discovering or reinforcing important basic music concepts that you are already teaching in other areas of your lessons. Don’t miss this golden opportunity for learning.

5-finger Patterns

Dreydl Song
Jingle Bells
Great for level 1 students. Have a spinner with 12 pentachord patterns on cards fanned around it. Students spin to transpose the song into the new key. To add extra zest, students give the jingle bells a shake after completing each scale.

Sequences
Have students discover the sequences in these songs.

Deck the Halls
We Wish You a Merry Christmas
O Christmas Tree
Angels We Have Heard on High
Ding Dong Merrily On High (one of the longest sequences I know)

Applying I and V7 chords
Use the formula, when the melody notes are 1, 3 and 5 use I chord, when on 2 and 4 use V7 to create a left hand for these melodies;

Dreydl Song
Jingle Bells

I IV V

Apply the same formula, adding the information that the 6th scale note goes with the IV chord.
Joy to the World
Silent Night (once the chords are established, apply broken chord style to bass for a simple but effective accompaniment pattern – if they are more advanced, they can apply ballad style (Root 5th 3rd above – use fingers 5 2 1)

Intervals
Look for the examples of these prominent intervals in these songs

Steps – The First Noel (the entire song is comprised of steps and fourths)
Skips –
4th and 5ths find the one fourth and one fifth, one skip, and the rest are repeated notes and steps
Octaves and major scales – Joy to the World

Major and Relative Minor Key Signatures
We 3 Kings
God Rest Ye Merry Gentlemen

Modes and Minor Keys
Use these songs to discover the difference between minor and dorian modes.
What Child is This
O Come O Come Emmanuel
Coventry Carol

Common Rhythm Patterns
Short Short Short Short Short Short LONG
Good King Wensceslas Looked Out
Jolly Old St. Nicholas
Compare to Twinkle Twinkle Little Star, Old MacDonald Had A Farm, Melody, by Schumann, Song by Kabalevsky., Haydn Surprise Symphony, and many others

Form – find songs that represent the following forms:
AABA (O Christmas Tree)
AABC (First Noel, Good King Wenceslas)
ABAB’(Jolly Old St. Nicholas, Jingle Bells)
Have students listen and guess which form that song follows.

Repeated Patterns
Students often are so focused on individual notes that they don’t notice broader patterns in the music. With your early level students, don’t make them learn all new notes of Jolly Old St. Nicholas for the second half when all they have to do is change the last note! This song is a great example of songs going “home” at the end, but ending on a dominant note “not home” in the middle.

The same applies to Jingle Bells – just learn the two differing parts of One Horse Open Sleigh first, then the rest of the song is mostly steps and repeated notes.

Acquiring Early Experience in Leading the Sing a Long

Help your students become valuable to their friends and community by getting them used to playing carols early; with the chording tools above they will realize they don’t always need to have music. Additionally they can transpose to singable keys (instead of C which is usually presented in early books because of ease of key signature)

Teach them how to use the last line of the song for a introduction, and to use body language (head nod) to start the group singing.
Teach them basic conducting patterns, by having students take turns, conducting, playing and singing.

Teach them how to work with other instrumentalists or vocalists by reading the chords of a fake book (or chords included in a song with traditional notation.) Many have friends who play guitar, etc.
Teach them a basic sing and strum method if the melody is provided by another instrument such as flute or vocals.

Jump in and have fun!  Holidays only come around once a year!